Review by pvcmusiclover April 11, 2012
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I really like the concept of this record company: they set up a single stereo microphone in an acoustic space (in this case, a church) and let it rip. The tracks are raw and un-edited and it's sure genuine DSD with no limiting.
Frankly, the music is rather boring. Nothing I would listen to for anything else than a test piece. That being said, the sonics are good. You can hear the space they recorded in (that's the point).
The problem is that, as purist audiophiles, an equalizer does not exist in their universe. Why does it matter? I imported 88.2/24 rips an looked at a spectrum analyzer to verify this - there's a ton of subsonic junk in the recording that loads down amplifiers and woofers. Nothing that a simple rolloff at 20hz couldn't fix. Secondly, the high end is really recessed. Nothing that a little treble boost couldn't fix.
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